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197. Visual, Spatial and Social Interpretation and Analysis of Art: The Cathedral of Notre Dame. Art has always had a social aspect that is a representation of the inner functions of the culture from which art is created. Formal theories on the social nature of art, however, were not formed until the 16th century when the waxing and waning of artistic movements was seen to be affected by changing tastes in art patrons. In the 17th and 18th centuries, many different and diverse social theories emerged to draw connections between art and society - which created which? French socialist, Pierre-Joseph Proudhon, said that 'art for art's sake' was an impossibility and that art sprung, regardless of the artist's inspiration or motivation from the archetypal (a more modern term) forces that governed the society, often invisibly. Art stands, in many ways, as a social criticism as well as an honoring of the society. Art is a commentary, on some level, about the artist's perception of the world. That perception is shaped by the undercurrents of political, religious, and social life of the particular time. Identity, in particular, in art is marked by a defined or hidden connection to the audience with recognizable symbolic language. In the case of architecture, we have the ultimate visual special creation which creates its own distinct sense of identity. The Cathedral of Notre Dame stands as one of the most significant structures embodying both visual and spatial constructs to modify the viewer's and visitor's perception of the self. Pages: 5 Bibliography: 6 source(s) listed Filename: 13653 Analysis of Art.doc Price: US$44.75

198. Islam and Computer Art. This paper examines the computer art of Islamic artist Iqbal Ahmed Pages: 15 Bibliography: 4 source(s) listed Filename: 13683 Islam and Computer.doc Price: US$134.25

199. Burne-Jones And Edgar Degas' Paintings. This paper compares a painting by Pre-Raphaelite British artist Burne-Jones with an important work by Realist, Edgar Degas. Both paintings appeared in 1860-1970 decade and have something important to say about that era and the two painters. Pages: 4 Bibliography: 7 source(s) listed Filename: 13715 Burne-Jones, Degas' Paintings.doc Price: US$35.80

200. The Shock of the War. This paper explores the second film in the series The Shock of the New in terms of how World War I and the Russian Revolution affected modern artists. Pages: 3 Bibliography: 1 source(s) listed Filename: 14024 Shock of War.doc Price: US$26.85

201. Benjamin Robert Haydon: A Scholarly Analysis of His Influence. This fifteen-page graduate-level academic research paper analyzes the relationship of the English Romantic painter Benjamin Robert Haydon to the art of the nineteenth-century and evaluates his influence on John Ruskin's social concepts of art of the same century. Pages: 15 Bibliography: 15 source(s) listed Filename: 14124 Haydon, Scholarly Analysis.doc Price: US$134.25

202. Leonardo Da Vinci's Spirituality, On the Basis of His "Notebooks". This five-page undergraduate paper consists of a four-page discussion of Da Vinci's spirituality and a one-page outline. It is quite clear that he regarded the painter as being similar to a monk, and this is the thesis. Pages: 5 Bibliography: 0 source(s) listed Filename: 14291 Da Vinci's Spirituality.doc Price: US$44.75

203. Power Of Images This is a paper on the power of images, such as the Swastika cross, the Mona Lisa, and the cross. Pages: 4 Bibliography: 5 source(s) listed Filename: 14364 Power of Images.doc Price: US$35.80

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